{"id":16,"date":"2016-02-06T12:23:15","date_gmt":"2016-02-06T11:23:15","guid":{"rendered":"http:\/\/philippegaillard.info\/?p=16"},"modified":"2023-03-27T11:20:49","modified_gmt":"2023-03-27T09:20:49","slug":"le-film-muet-germinal","status":"publish","type":"post","link":"https:\/\/philippegaillard.fr\/?p=16","title":{"rendered":"Le film muet \u00ab Germinal \u00bb"},"content":{"rendered":"<p><strong>Germinal\u00a0<\/strong>est sans aucun doute un chef-d\u2019\u0153uvre du cin\u00e9ma mondial des ann\u00e9es 10. Cette adaptation d\u2019Emile Zola, r\u00e9alis\u00e9e en 1913, apr\u00e8s\u00a0<strong>Les Mis\u00e9rables<\/strong>, place\u00a0Albert Capellani\u00a0parmi les plus grands cin\u00e9astes de cette \u00e9poque. Alors que le long m\u00e9trage est en train de se g\u00e9n\u00e9raliser, il montre un sens visuel et dramatique qui en fait l\u2019\u00e9gal d\u2019un Evgeni Bauer, L\u00e9once Perret ou\u00a0Victor Sj\u00f6str\u00f6m.<\/p>\n<p>La communaut\u00e9 d\u2019agglom\u00e9ration du Val d\u2019Yerres a organis\u00e9 le 6 octobre 2013 \u00a0une projection mobile, en partenariat avec le cin\u00e9ma Buxy et la commune de Brunoy.<\/p>\n<p>Le film muet \u00ab Germinal \u00bb d\u2019Albert Capellani a \u00e9t\u00e9 projet\u00e9 \u00e0 l\u2019occasion d\u2019une s\u00e9ance \u00e9v\u00e9nement class\u00e9e \u00ab Art et essai \u00bb. En effet, le film a b\u00e9n\u00e9fici\u00e9 d\u2019un accompagnement au piano par le talentueux Nicola Serravalle, sur une cr\u00e9ation musicale de Philippe Gaillard.<\/p>\n<p>La partition \u00a0de 2H27\u2019 compos\u00e9e par Philippe Gaillard renoue avec la tradition du piano \u00e0 l\u2019image et soutient le film avec \u00e9nergie\u00a0,\u00e9motion et subtilit\u00e9. Elle a \u00e9t\u00e9 cr\u00e9\u00e9e lors de cette projection, et re\u00e7ut une \u00ab\u00a0standing ovation\u00a0\u00bb, ainsi que son interpr\u00e8te.<\/p>\n<div id=\"ms_avp\" style=\"max-width:99%;box-sizing:border-box;margin-left:auto;margin-right:auto;margin-top:2px;width:100%;\"><audio id=\"codepeople_media_player1776811275452639\" width=\"100%\" class=\"codepeople-media classic-skin\" preload=\"none\" style=\"max-width:99%;box-sizing:border-box;margin-left:auto;margin-right:auto;margin-top:2px;width:100%;\"><source src=\"\/\/philippegaillard.fr\/wp-content\/uploads\/2022\/05\/Germinal.mp3\" type=\"audio\/mp3\" \/><\/audio><ul id=\"codepeople_media_player1776811275452639-list\" class=\"\" style=\"display:none;\"><li value=\"{&quot;source&quot;:[{&quot;src&quot;:&quot;\\\/\\\/philippegaillard.fr\\\/wp-content\\\/uploads\\\/2022\\\/05\\\/Germinal.mp3&quot;,&quot;type&quot;:&quot;audio\\\/mp3&quot;}],&quot;track&quot;:[]}\"><span class=\"cpmp-annotation\">Germinal<\/span><\/li><\/ul><noscript>audio-and-video-player require JavaScript<\/noscript><div style=\"clear:both;\"><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Germinal\u00a0est sans aucun doute un chef-d\u2019\u0153uvre du cin\u00e9ma mondial des ann\u00e9es 10. Cette adaptation d\u2019Emile Zola, r\u00e9alis\u00e9e en 1913, apr\u00e8s\u00a0Les Mis\u00e9rables, place\u00a0Albert Capellani\u00a0parmi les plus grands cin\u00e9astes de cette \u00e9poque. Alors que le long m\u00e9trage est en train de se g\u00e9n\u00e9raliser, il montre un sens visuel et dramatique qui en fait l\u2019\u00e9gal d\u2019un Evgeni Bauer, [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[8],"tags":[],"_links":{"self":[{"href":"https:\/\/philippegaillard.fr\/index.php?rest_route=\/wp\/v2\/posts\/16"}],"collection":[{"href":"https:\/\/philippegaillard.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/philippegaillard.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/philippegaillard.fr\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/philippegaillard.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=16"}],"version-history":[{"count":2,"href":"https:\/\/philippegaillard.fr\/index.php?rest_route=\/wp\/v2\/posts\/16\/revisions"}],"predecessor-version":[{"id":347,"href":"https:\/\/philippegaillard.fr\/index.php?rest_route=\/wp\/v2\/posts\/16\/revisions\/347"}],"wp:attachment":[{"href":"https:\/\/philippegaillard.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=16"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/philippegaillard.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=16"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/philippegaillard.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=16"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}